Set in the world of television broadcasting, Na Mi-rae travels back in time to prevent her 32-year-old self from marrying news anchor Kim Shin, thus sending her past self down a different path and enabling her to pursue the things she really wanted in life.

Richard Briers plays Godfrey Spry, who, having been hit on the head in a freak accident, ends up with an attention span of just 30 seconds. As a result he begins to obsess over TV commercials and begins to take advertising claims literally, causing erratic twists in his behaviour and complicating the lives of all those around him.

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When a professor of religious studies is forced to investigate why his students are being murdered, he discovers what ended his own life and is then reborn.

From Lockermaison 　　I recorded this movie off PBS one day when I was in college. Didn't know what I was recording, I just habitually recorded things off of PBS at the time. As an Asian American myself, I found this to be an excellent overview of the experiences and feelings that we encounter from the more ignorant and racist side of America. However, we were born here, this is the only country we know, and we love it the same as any other immigrant's children - white, black, brown, or whatever. This movie deals with that situation, where we live and love our country but have to deal with the idea that many Americans have that anyone who is Asian must be "foreign" or "unamerican". It talks about the history of our struggles for civil rights over the past century and how we were right there alongside the African Americans in the 60s fighting with them. Also discussed are many disservices done by America to Asian-Americans and how they are still today treated in surprisingly racist ways. It also explores how some Asians fit into stereotypes and how many definitely don't. It also deals with the concepts of interracial relationship between blacks, white, Asian, and Hispanics. The filmmaker talks to many different types of Asian Americans from different areas of the country and gives you a very interesting cross section of the surprising makeup of people that is Asian American. There are so many kinds of people you never knew existed. 　　I watched this several times and I always enjoyed it. There were some excellent shots. I also liked a few of the transitions and the editing in general I thought was clever. The interviews are very intriguing. 　　A few problems I had were I didn't like the narrator's voice and delivery. Obviously she's a normal person doing her own movie's narration and it sounds amateurish, but it is tolerable nevertheless. The film quality suddenly changes near the end because she used video instead of film in one section. Some people aren't explored as much as I would have liked. I think the movie could have been stronger somehow, but I'm not sure. It's a quiet movie and a lot of the issues brought up might still be confusing to non-Asians watching it, and might end up boring to some. Although like I said, I thought it was all really cool. 　　If you are interested in Asian American issues, the film still holds true today and you should like it a lot.

From Lockermaison 　　I recorded this movie off PBS one day when I was in college. Didn't know what I was recording, I just habitually recorded things off of PBS at the time. As an Asian American myself, I found this to be an excellent overview of the experiences and feelings that we encounter from the more ignorant and racist side of America. However, we were born here, this is the only country we know, and we love it the same as any other immigrant's children - white, black, brown, or whatever. This movie deals with that situation, where we live and love our country but have to deal with the idea that many Americans have that anyone who is Asian must be "foreign" or "unamerican". It talks about the history of our struggles for civil rights over the past century and how we were right there alongside the African Americans in the 60s fighting with them. Also discussed are many disservices done by America to Asian-Americans and how they are still today treated in surprisingly racist ways. It also explores how some Asians fit into stereotypes and how many definitely don't. It also deals with the concepts of interracial relationship between blacks, white, Asian, and Hispanics. The filmmaker talks to many different types of Asian Americans from different areas of the country and gives you a very interesting cross section of the surprising makeup of people that is Asian American. There are so many kinds of people you never knew existed. 　　I watched this several times and I always enjoyed it. There were some excellent shots. I also liked a few of the transitions and the editing in general I thought was clever. The interviews are very intriguing. 　　A few problems I had were I didn't like the narrator's voice and delivery. Obviously she's a normal person doing her own movie's narration and it sounds amateurish, but it is tolerable nevertheless. The film quality suddenly changes near the end because she used video instead of film in one section. Some people aren't explored as much as I would have liked. I think the movie could have been stronger somehow, but I'm not sure. It's a quiet movie and a lot of the issues brought up might still be confusing to non-Asians watching it, and might end up boring to some. Although like I said, I thought it was all really cool. 　　If you are interested in Asian American issues, the film still holds true today and you should like it a lot.

Kang Yeo-joo is a best-selling writer. She only writes crime stories, dealing with cruel murder cases. She constantly thinks about how to murder people for her novels. Kang Yeo-Joo is married to Han Woo-sung. He is a lawyer, specializing in divorce. He wrote a memo to his wife stating "If I cheat, I die."

Explores the worldwide cultural presence of the Bogeyman and how that translates into the character of Michael Myers in the Halloween franchise in the United States. Screened before the 2012 theatrical re-release of John Carpenter's Halloween.

Mr. Yoi, a kindness creditor. He had a lot of debtors. Mun, Yoi's close subordinate. He is greedy. One day he went to collect the money for their deptors in the market. He used his thugs attacked Yoi till died And took the account notebook with him. Many years later, Anukul, Yoi's nephew who receives Yoi's heritage that is his house. He and his girlfriend, Mena, come and stay at that house. They find out the strange events and Yoi. Yoi doesen't reborn, he is possessed in that house because he worries about something. He help Anukul and his girlfriend to find out the account notebook that Mun use it to create karma. How do they resolve the problem, who can come and help them and where is Mun. Let be continue I meet you. What will happen when ghost help man and man help ghost?

Lightning McQueen and his best friend Mater head east from Radiator Springs on a cross-country road trip to meet up with Mater’s sister.